The Jazz Gallery: Troy Roberts NU-JIVE
5/10
7:30 pm – 11:00 pm
The Jazz Gallery
1158 Broadway, 5th Fl.
New York, NY 10001
Sets at 7:30pm and 9:30pm
Troy Roberts – saxophone, compositions
Tim Jago – guitar
Silvano Monasterios – keys
Ricky Rodriguez – electric bass
Kush Abadey – drums
Embracing his love for a vast variety of stylistic genres, three-time GRAMMY nominated saxophonist, Troy Roberts is quickly becoming one of the most widely recorded touring artists of his time. As a go-to first call saxophonist, his name adorns several essential recordings ranging from the legendary Joey DeFrancesco to the iconic Van Morrison to the quintessential Jeff “Tain” Watts, to the tireless Orrin Evans Captain Black Big Band, to the critically acclaimed Kurt Elling, to the breathtaking Veronica Swift, including numerous other jazz veterans, and newcomers considered tastemakers of their generation.
Roberts, a New York City based Australian immigrant, is also a prolific leader with sixteen releases to his name. Currently celebrating his latest, Green Lights (featuring John Patitucci, Paul Bollenback and Jimmy Macbride), Roberts maintains a busy recording and performance schedule with his quartet, his original project Nu-Jive, as well as some of the greatest artists of today.
Tonight, Troy presents his original project, NU-JIVE featuring Tim Jago on guitar, Silvano Monasterios on keys, Ricky Rodriguez on electric bass, Kush Abadey on drums, and Troy’s original compositions – spanning a wide scope of stylistic genres, tonight’s musical journey is not to be missed.
“Troy Roberts continues to be a master of styles and configurations with this eminently accessible, sonically and rhythmically engaging session, emitting steam and sumptuous harmonic colors along the way”.
-Glide Magazine
” ‘Nu-Jive: Nations United’ is another outstanding project by the ever-creative composer and saxophonist Troy Roberts. The bandmates’ long-time chemistry undoubtedly accounts for the stability and respect this ensemble creates together. The ten songs offer various configurations for optimum expression for each member as they ebb and flow through the written and improvised sections of the compositions. The result is a jazz session filled with 3D proportions of interacting and layering to create something unique and meaningful that encompasses the jazz of today and beyond”.
-Steven Miller, Sound In Review
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